"Jimmy Eat World have released no fewer than three over their career. "Few bands can claim one iconic album," the entry reads. Last year, Alternative Press named Jimmy Eat World the 20th most influential band of the last 30 years.
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With a similar outlook on how to operate.
It's sort of the blanket term for bands who happened to be touring and recording around a certain time. But, it would be my personal take that while some of the records were coming from a generally similar scene, what 'emo' means could be debatable.
"It's amazing to know those albums still are important to people. Flattering. "I don't consider them 'emo' at all," Adkins says. That was more of what 'emo' sounded like as far as I would quantify it."Īnd those Jimmy Eat World albums on the list? Personally I'd have put the Indian Summer anthology way higher. Jim Adkins of Jimmy Eat World says, "It's always nice when someone cares. Sunny Day Real Estate topped the list in Rolling Stone with "Diary," followed by Rites of Spring's seminal self-titled effort, the Promise Ring's "Nothing Feels Good," Jawbreaker's "Dear You" and Braid's "Frame and Canvas." "The Middle" also topped the Modern Rock charts, where three other singles from the album went top 20 - the title track, "Sweetness" and "A Praise Chorus." 31 and went on to be certified platinum, spinning off one of the decade's most enduring rock single's "The Middle," which peaked at No.
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"Bleed American" was Jimmy Eat World's first release to crack the Billboard album chart. Additional cred for featuring a shout-out to the Promise Ring's Davey von Bohlen on 'A Praise Chorus.'" Hooky anthems like 'Sweetness' and 'The Middle' saw the band taking the rough-around-the-edges sound of 1996's 'Static Prevails' and making it accessible enough for anyone pondering buying an iPod. "The album, re-released as 'Jimmy Eat World' following the 9/11 attacks, proved that emo wasn't just an enigmatic subculture. "Jimmy Eat World's 2001 album 'Bleed American' propelled them from playing with underground bands like Mineral and Christie Front Drive to full-blown mainstream success – platinum certification, MTV play and a Top 10 single," the magazine writes. "Bleed American," the album that gave the world "The Middle," finished 9th, edging out Fall Out Boy's "From Under the Cork Tree." "In fact it was even viewed as a commercial failure when it was released on Capitol Records, despite the fact that the straightforward single 'Lucky Denver Mint' received mainstream radio airplay and was featured in the Drew Barrymore film 'Never Been Kissed.' However it's the darker, more experimental side like the mid-tempo melodicism of 'Believe In What You Want' and the hypnotic 16-minute finale 'Goodbye Sky Harbor' which eventually made Clarity a cult classic."
"Jimmy Eat World were a very different band when they released their third full-length, 'Clarity,' 17 years ago," the entry reads. Released in 1999, "Clarity" placed 13th on the list, one spot ahead of Weezer's "Pinkerton." The Valley's own Jimmy Eat World placed two local classics in the upper reaches of Rolling Stone magazine's countdown of the 40 Greatest Emo Albums of All Time.
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